By Joanne Esser

This autumn, the Reggio-Inspired Network of Minnesota created our newest initiative, the Documentation Lab, as a way for educators to share our documentation practices with each other and to practice critically analyzing the documentation we study.

Documentation is one of the most essential practices that the educators in Reggio Emilia, Italy developed and modeled, a way of looking at children’s thinking that has inspired authentic child-centered practices in schools around the world. One definition of documentation in the Reggio sense is: “a process for making pedagogical (or other) work visible and subject to dialogue, interpretation, contestation and transformation,” (Gunilla Dahlberg, in The Hundred Languages of Children). It is only through sharing with other thoughtful educators the visible traces of our work with children that we can more deeply understand and support the children’s work. The Documentation Lab creates a forum for comparing interpretations, providing multiple perspectives to inform our practice, whether we are presenting documentation or we are participants studying another’s work.

The Documentation Lab met three times so far, once a month. Each time we gather, one participant offers visible (or auditory) observations from their own work with children. These could be photographs, video clips, transcripts of conversations, anecdotal notes, work samples done by the children or any other tangible recordings of their thinking and play. Then the group follows a specific step-by-step discussion protocol that we are adapting from a process used by Steve Seidel and colleagues at Project Zero. We spend time in turn to observe, describe, raise questions and speculate about the work we see children doing in the traces offered. Then the group hears more from the presenting teacher, who has been listening all along to what was said about the children’s work. Finally, together we discuss implications for learning that have arisen from the conversation.

Perhaps the place in the structured conversation where the deepest learning happens is discussing the implications for teaching, learning and understanding children’s strategies. Everyone is invited to share thoughts stimulated by examining the work. One of the big questions we consider is, What could we do next or differently to move this learning forward? For example, in October, Bridget Keefe, a teacher from St. David’s Center, brought a series of photographs she had taken of toddlers interacting with one another. After studying the photos of the toddlers, the group considered ways that the teachers at St. David’s might share their insights with the children’s parents and gather the parents’ perspectives. We wondered whether revisiting the photos with the children themselves would result in language that could further illuminate what they were doing, and whether adding some of the teachers’ own questions to the display of photos might highlight for families what they were noticing.

At the end of each evening of studying documentation, we reflect on the process itself. After looking at the toddler photos, these were some of the participants’ comments: “Using the protocol treats the documentation like primary sources. We look at the primary sources first, not simply the secondary retelling of what happened.” “I found that our questions and observations got better as we went along, richer and not as predictable, and we got better at our critical thinking. This takes practice.” “It gave me a broader understanding of the deliberate, purposeful choices we make as teachers.”

Because we are studying real traces from real children in our own Minnesota teaching practices, rather than hypothetical examples or experiences retold from Italy, the Documentation Lab process allows us to directly examine our work in practical ways. We hone our skills at observing, critical thinking and planning in collaboration with supportive colleagues. Then we can return to our own settings and apply to our work with children what we have discovered. This is the essence of Reggio-inspired practice.

For example, in October, Bridget Keefe, a teacher from St. David’s Center, brought to the Documentation Lab a series of photographs she had taken of toddlers interacting with one another. She laid out the photos on the big table and the group of fourteen educators silently observed the photos. Then we took some intentional time to describe what we noticed in the photos – withholding any assumptions or judgments, not evaluating the photos or mentioning any personal preferences– simply answering the question “What do you notice?” Bridget took notes on what she was hearing. Sometimes people noticed details she had not previously recognized, even though she had taken the photos herself.

We went on to raise questions about what was happening in the photos. Bridget did not answer the questions at that point, but a note-taker recorded them, since the questions the documentation raises are important in themselves. A few of our questions about the toddler photos included: How much are the children verbally communicating? Are they playing together with each other, or is the play more about the objects they are using (like a ball, a paintbrush, a toy)? How well do these children know each other? What instigated the action? What was the provocation? How have these photos been shared with parents? What were the parents’ perspectives? Does this represent toddlers in general, or is this a unique group? We went on developing questions until we had approached the photos from every possible direction.

Next we speculated about the photos, guessing what the children were working on, their skills, their theories and motivations. For example, perhaps their game of playing “catch” with a ball was a way to practice give-and-take, to make social connections with another child. We saw examples of toddlers seeming to solve problems and communicate nonverbally through the use of materials. We speculated as well about the point of view and values of the educator who had taken the photos, how she seemed to want to highlight the children’s interactions with each other and their confidence.

When it was the presenting teacher’s turn to speak about the process, Bridget answered some of the group’s questions, such as how long the children in the photos had known each other and what her intentions were in taking and displaying these particular photographs. She shared how her toddlers are seeking each other and how she observes them moving from parallel play to cooperative play. Our hypothesis was that toddlers working together in this way over time grow more in language, communication and social skills.

Bridget, who was applauded for her willingness to take the risk of being the first educator to share her documentation, said at the end, “I learned so much. Your perspectives were great. I looked at it (the children and their work) differently after hearing from all of you.”

Each month, we have new material to study. In November, Joey Schoen, a teacher from Dodge Nature Preschool, offered a transcript and audio recording of an active dramatic play scenario her children enacted, involving “dangers” like a tornado, “bad guys” and a fire. It led to a rich conversation about how the role of adults can foster – or interrupt – children’s imaginary play. In December, Stephanie Ponticas brought many photo scrapbooks she has put together over a number of years to show the wide variety of activities the children at her home childcare engaged in. The discussion centered on the format of the documentation itself, the difference between “memories” and “learning stories,” and ways we can most effectively communicate children’s experiences and thinking.

Documentation Lab Protocol

by Damian Johnson  

“When do we stop noticing the little things?” This question came up while discussing the network’s Geography of Childhood project and I immediately thought of my friend Sarah and her child, Owen, and his somewhat epic treasure collection.  The Geography of Childhood is in part an investigation of the children in our communities and what childhood is lived like today. My interview with Sarah tells a story about a 5 year-old who constantly takes home little things that he has noticed. It’s a reminder that people of all ages need time and space to make connections between all the little things that our larger ideas are built from. It’s a story about how one parent provides for that, when she could easily choose to make things more convenient for herself.

Have I myself stopped noticing the little things? I see tiny treasures and sense little mysteries just as much as Owen, but there’s no time to dig in. Now, I have to collect and save little pieces of my schedule, scraps of evenings and weekends, to use for reflection and connection, the way that Owen tries to hold on to every bubble gum wrapper for his mini-comics.

And that’s not the way I want it. At home and at school, I’d happily trade away every educational device, every light table, every tree cookie, magna-tile and mirror, I’d give up so much of the stuff if it meant more time to just be present with the people.  Owen’s play ends up having a significant impact in the world of adults.  Could this be more common if there was more space for children in the "real world"?  Ultimately, this story is intriguing to me because of the way Owen relates to people; his grandfather, his teacher, his mother and more- through his collecting and creativity with his treasures.

Sarah: Since Owen was an infant everyone is like don’t put anything in his hands that he can choke on. And that’s all he wanted to do was hold on to, like, acorns or little bowls or anything. He just always wants a little something in his hands. I think it’s just that tactile… partially tactile, but he likes the little things.

Damian: Is it also kind of the magic of finding something?

S: A little bit. He’s also very good at that. I don’t know. He’s just always done it.

D: Do you often catch him crawling underneath stuff, or moving furniture in order to see what’s behind it?

S: More crawling than moving I think. The sandy playgrounds are his favorite, I think, because people drop stuff in them all the time, and it’s the treasures he finds in those that I think are like the most exciting. And then he kind of hoards them away.

D: Where does he usually put his treasures?

S: Usually in that little container or the shelf by his bed. That yogurt container. . .That’s all my dad’s doing. It originated at my parents farm, because when we go there usually it’s usually like my brother in law and my sister and he kids, so it’s all cousins, and he always brings home a metal detector. Which reminds me of finding stuff on the ground. Because it’s a 100 year old plus farm house. People just dumped stuff wherever. And we find crazy… like, most of it’s junk, but it’s like horseshoes and old pocket knives and old money and just you know like parts of cars and who knows, you know? So you find all this stuff and then… and there’s rocks in the driveway, cause it’s a big ‘ole gravel driveway, so owen holds a lot of that, so my dad pulled out that big container. He’s the one that wrote “owen’s stuff” on the lid. That’s all him, my dad. So that’s where it came from. He had all these rocks and bits from digging in the dirt.

 

D: And then what does he do with the stuff, like, after he collects it is that it? He just holds onto it like a dragon?

S: They will spark ideas I would say. Like, he says “Oh! I gotta go do something and then he’ll go rummage through his pile of… you know.

D: I can hear your opinion of it. Pile of garbage.

S: (laughs) I mean it doesn’t bother me but it’s pretty much literally garbage. . .

D: But it’s not. It’s not to him. It’s treasures of little…

S: Exactly. So he’s like, Oh, I just gotta go do something.” And then once he gets that idea he can’t stop it. He won’t go to bed. He won’t do anything until he finishes what that little thing he’s doing. And he’ll often times go pull out something that he found who knows how long ago. It’s like he has an inventory.

D: That’s interesting. He knows everything he’s ever found.

S: He has a memory for that stuff that I never had.

D: Because it’s important to him. Can you remember a specific time when times when he wouldn’t go to bed?

S: It’s usually some sort of craft. Or like putting them together. Like “Oh, gosh I just remembered that this would fit with this.” One thing that I can remember, he put inside two milk caps was a pom pom and that became a creature. Right? So that was Fuzzy. Fuzzy lived between the milk caps. Stuff like that. Or he’ll be like “I need to put this eraser on this popsicle stick, like, right now.”

D: Like he gets home and…

S: . . . A lot of time it’s at night time when you’re really frustrated and you’re like “Just go to bed” and he’s like “No. Wait. Where’s the glue  . . .

D: And you’ve had to make sure he doesn’t steal stuff that he finds interesting.

S: Yeah, that’s a problem. It still is. And sometimes he’s at that age where he’s pushing the limits on what he can kind of get away with. So it’s like I think there are like prizes in his classroom for whatever, good behavior or they read the ten books a month and they get to choose a prize… sometimes they’ll come home with him and are not given to him. And it’s seven different versions of the story. . .If I know for sure I usually make them go explain to the teacher what he did. And she’s really good at making it a positive thing that he brings it back. Like the cross that he found?”

D: What’s that story?

S:  Once I was cleaning out his backpack and there’s this gold cross on a pendant.

D: Real gold?

S: Right? Something with actual value. But I think for him, it has the same value as a milk cap. He doesn’t see that and say “That’s a gold necklace.” He says “That’s a little treasure.” He’s not there yet. So I find it in his backpack, and he’s like “ooooh… someone put that in my backpack…” And he’s got this look when he lies. He tries not to smile. . . so we went to bed. I went in with him (to school) and his teacher was like “Oh, my gosh this is mine. I lost it last year in May.” So it was probably October, the next school year, when he found it. She was like “I thought this was gone forever. My dad gave it to me in eighth grade for my confirmation. And I tried to replace it but some things just aren’t replaceable. I thought I’d never see it again. Owen… You are the best little treasure finder I’ve ever seen. You just need to show me what you find, so we make sure it’s not important to somebody.” And she wrote him a thank you note. It was really sweet what she did. She loved that quality in him and set expectations of how he should deal with it in the future.”

For more reading about loose parts, available through the public library:

• Cathy Weisman & Lella Gandini, Beautiful Stuff
  
• Lisa Daly and Miriam Beloglovsky ; Loose parts : inspiring play in young children /
  
• Lisa Daily and Miriam Beloglovsky, Loose parts 2, inspiring play in infants and toddlers

At our most recent Saturday Gathering, parents, educators, administrators, and citizens gathered to collaborate around the topic of Parent Engagement, facilitated by Lani Shapiro, in a session titled "Whose Agenda Is It? Mapping the Terrain of Parent Engagement from Multiple Perspectives." 

   

We framed our discussion around the following questions . . . 

We will discuss these questions, as parents, educators, administrators and citizens, framed by ideas from Reggio Emilia.

• What are the possibilities?
• Where are the boundaries?
• How do we construct shared agendas?

“Participation, in fact, is based on the idea that reality is not objective, that culture is a constantly evolving product of society, that individual knowledge is only partial; and that in order to construct a project, especially an educational project, everyone’s point of view is relevant in dialogue with those of others, within a framework of shared values. The idea of participation is founded on these concepts; and in our opinion, so, too, is democracy itself. Therefore, if we want to have a school based on participation, we must create spaces, contexts, and times when all subjects—children, teachers, and parents—can find opportunities to speak and be listened to.”

            Paola Cagliari, Angela Barozzi and Claudia Giudici

We discussed Loris Malaguzzi's "A Bill of Three Rights," expressing Reggio Emilia's view of the essential participation of each of the protaganists in their educational project; children, teachers and parents.  

Here is the link:  A Bill of Three Rights

Our discussion generated a spirited dialogue which raised new questions and considerations . . .

·       There is a difference between “getting parents involved” and “inviting families to participate."  Which way leads to a feeling of “belonging”? 

·       Sometimes we have to persist in our efforts to encourage families to participate. One way to approach families that do not respond to our initial invitation to participate might be, "I know you have something to offer, and I’m genuinely interested in that.”  How can we let families know that we genuinely value them and see them as equal participants?

·       We have to remember that not all families have positive memories or associations with school. How can we reframe parents’ perceptions about school by developing positive relationships with both children and parents and persisting in our invitations to partnership?

·       “I cannot assume the way I bring myself into a community is the same for everyone else.”  How can we clearly communicate that we value everyone’s unique qualities? How do I check myself to ensure that I AM valuing everyone’s unique qualities?

·       Do we offer a variety of opportunities for families to participate in the life of a school in ways that work for them?  How can parents share the responsibility for educating their children once they arrive at our schools? How can schools make room for them?

·       Some ideas that may work: Invite parents to stay and eat breakfast with their child at drop off time, come in and eat lunch with them, or have “brown bag dinners” at pick up time.  Invite parents to co-teach with you. Read a story or tell a story, sing a song, bring in a CD for us to listen to, lead an activity, play a game, share a talent or skill with us. The possibilities are endless. How can we include everyone in ways that make them feel valued and competent?

What are your ideas for creating schools of participation, schools that include spaces, contexts and times so that all children, parents and teachers can speak and be listened to?  

by Joanne Esser

For many of us educators, learning about the early childhood centers in Reggio Emilia, Italy was immediately inspiring. What they were doing with children made sense and fit with our ideals about how we wanted to teach and learn. We wanted to dive in, adapt and embed their practices into our own classrooms right away.

Each of us then had to choose a place to begin incorporating Reggio-inspired practices into our own work. It is often hard to know where to start, since even an initial study of those beautiful Italian classrooms and the deeply considered philosophy that undergirds them reveals how incredibly complex it is.

Some people begin by redesigning their environments. They evaluate and make changes to their physical spaces, room layout, the materials available to children and even the colors and containers in the room. Other people begin by introducing project work, building children’s interests into some deeper, bigger study of a topic, stimulating children’s thinking in a way that recognizes their strong capabilities.

But one of the most basic and essential places we can begin to emulate the effective practices we see in Reggio Emilia is with documentation.

Documentation is a term that is becoming common and almost jargon-y in early childhood education. When that happens, the word can begin to lose its true meaning, becoming over-simplified or interpreted in a shallow way. There are even companies promoting products and systems to help teachers “document,” often for the purpose of accountability, gathering data to prove that the children are meeting some set of predetermined standards. But in Reggio Emilia, documentation has a much deeper meaning.

At its heart, pedagogical documentation in the Reggio-inspired sense is the practice of paying close attention to what children say and do. It is a stance, a way of seeing with intention and curiosity. The practice of documenting is based on the belief that young children are innately driven to learn, that their actions and words are powerful and purposeful, and that they are actively engaged in making meaning all the time from their daily lives.

Documentation does not mean simply taking lots of photographs, writing down quotes from children or posting panels on the walls – although those activities are often part of the documentation process. The artifacts alone are not the essence of the concept. Authentic documentation in the Reggio sense involves making intentional choices about what data to collect, reflecting on the data, interpreting and analyzing it with colleagues, communicating what you’ve observed with families and with the children themselves, listening to their interpretations and using what you’ve learned to plan for new experiences. It’s a very complex cycle!

In the words of Reggio educator Lella Gandini, “When we document, we make the deliberate choice to observe and record what happens in our environment in order to reflect and communicate the surprising discoveries in children’s everyday lives…Documentation is not…the collecting of data in a detached, objective, distant way. Rather, it is seen as the interpretation of close, keen observation and attentive listening, gathered with a variety of tools by educators aware of contributing their different points of view. In fact, our views about childhood and our personal theories influence what each of us sees and hears; that is why we need to compare interpretations among colleagues.”

Many of us in the Network have felt the need for more reflection and collaboration with colleagues about our documentation efforts. When we closely observe a group of toddlers playing together at the water table, or a five-year-old making an original “invention” out of recycled scrap materials, we are naturally excited. We want to share our questions and our observations of what our children are doing with others who can help us understand more deeply what is really happening. Having other sets of eyes and ears to look at our assorted photos, notes and snippets of collected dialogue often brings new perspectives to our work – even when those colleagues might not know our children or be part of our program. 

To meet this need, the Network is creating a new initiative: the Documentation Lab. We want to offer educators an on-going way to share traces of their work with each other, get and give feedback about documentation and generate ideas for next steps in learning based on what children have been doing. We envision the Documentation Lab as a co-facilitated, collaborative working group where participants can bring work-in-progress, critically analyze it and learn from each other, at whatever stages we are in our practice. 

A core group of interested Network members started tossing around ideas for the Documentation Lab this summer. But we also invite input from potential participants to help decide when, where and how often we’ll meet – probably one evening a month or every other month, meeting at a public site such as a library – and what our format should be. The Lab gatherings will be free and open to anyone who wants to learn more, whether you are experienced in using documentation or whether you are brand new to the idea.

The official “kick-off” of the Documentation Lab initiative will be on September 23, as part of the regular monthly Network gathering.  Join us for a workshop focused on documentation: “Set Your Intention to Pay Attention,” 9:30 a.m. to noon in the Lakeview Room in the Hyland Lake Park Reserve in Bloomington, Minnesota. Then add your voice to give direction to this new opportunity. More information about the Documentation Lab will be widely shared within the Network as it takes shape.

Victoria Snyder is a teacher of 2 year olds at Westwood Lutheran Early Childhood Center in St. Louis Park, MN.  Westwood teachers collaborated with Boulder Journey School (Boulder, Colorado) consultants Alison Maher and Andrea Sisbarro in July, 2016.

I experienced a real game-changing moment while collaborating with consultants from the Boulder Journey School. From the moment my teaching team sat down with Alison Maher and Andrea Sisbarro, I knew that my practice would be forever changed.  They invited me to think about my written observations of my students. What they shared was not new information to me, however, it was about the way in which they delivered the advice, so specific and relevant to my work, that helped me understand on a deeper level.  The conversation was not only inspiring, it prompted me to put into motion some plans that I had been thinking about for a long time.

For example, my toddlers are currently very interested in Matchbox cars.  Now, when I write an observation about their interactions with the cars, I write exactly what they are doing with the cars. I ask myself, are they making noises as they roll the cars? Are they lining them up in a row? Who is involved in this scheme? My next action is to consider an abundance of ideas and ways for the children to use the cars in different ways. Alison and Andrea challenged us to generate a list of 50 different things children could do with the cars.  In addition they challenged us to think about why the children are so attracted to these cars.  Is it because they are new? Could it be the variety in shape and color or is it because there are a lot of them? These observations help me be more intentional and deepen the children’s experiences.

I was inspired and motivated by the conversation and have begun to rethink my classroom environment, especially the materials.  Alison and Andrea commented that they see the same materials in classrooms worldwide. They also challenged us to think about “everyday” materials paired with unique items. What can we as educators offer children that they don’t already have? This insight helped me open my mind and classroom for more “outside the box” ideas and materials that might afford children new and diverse experiences, for instance, pairing the beloved Matchbox cars with different colored and textured ribbon. Generating ideas this way helped me to explore multiple possibilities for deepening children’s interests.

This rich dialogue amongst educators opened up many questions for me.  For example, how can we create more opportunities for inspiring dialogue such as this? How would professional development change if administrators offered opportunities to educators that meet them wherever they are along their journey? How can we put all the amazing things that we learn into motion?  And, how can we always remain open to others’ advice?  The wish for myself and for fellow educators is to find a way to manifest these interactions that are so powerful that they help create the highest quality of care, for which we as Reggio-inspired educators strive.

-Victoria Snyder

Here is a translation of the video linked below, from an unnamed participant on another reggiolist.

http://www.rainews.it/dl/rainews/TGR/multimedia/ContentItem-ad9bfa5c-2f2a-48d4-a295-bed005a6bb1f.html

FROM:

January 14, 2017 episode of TGR "Officina Italia" on RAI 3 Italian Television

Time code 13:36 to 17:08

PRESENTER: "Stimulating children's curiosity and searching together for new experiences, this is the philosophy of the early childhood centers of Reggio Emilia, which have and are really fascinating the whole world.

TITLE: Researchers in preschool

VOICEOVER: "We follow this painted branch (on the pavement) which leads us to the Robinson (Crusoe) Preschool in Reggio Emilia, named after the protagonist of the novel, because on his island he invented/discovered many things and most of all was courageous/brave.  Every school in RE is an ideal city with a piazza (central town square) and spaces that are circular/in the round and Ateliers where everyone can work, see each other and work together, and if they wish even on their own - even without shoes as the floors are heated."

REPORTER: "In the preschools there are always many big windows, and here we can see a tree, a big tree, and these are its roots (he points to the graphic representation on vellum that hangs in the window.)  Here we can see (he points to artefacts on the table) various interpretations of roots and those over there are the layers of the soil. In the room next door, we find the "Rooty Room," and here the children are listening to the sounds that roots listen to, from the those of the children's steps to those of the ants (moving above them.) And these are the sounds that the children believe roots hear and that they created with a wide range of objects (brush being scraped on a surface.)  Among the many activities (time code 15:03) that the children engage in is the creation of video, this one is dedicated to the "Dancing Grasses."  The Reggio Children approach to education, last year, sent over 5000 delegates to Reggio from all over the world. However the Reggiani's approach is not intended as a model."

PAOLA CAGLIARI (Director of Reggio Children's schools): (time code 15:27) "Adults here, teachers in particular, are researchers of experiences alongside the children. They are side-by-side with the children so that the children may be able to give shape to the best of their ideas and are, therefore, in circular relationship in which the adult-child and child-child dialogue constructs/gives shape to knowledge."

REPORTER: (time code 15:50) Kitchens are inside each of the schools, and products used in them are from a short distance away, organic and chosen giving particular attention to the raw ingredients that go into them. Robinson preschool has flexible hours, with arrival between 7:30 AM and 9 AM and dismissals at 12:30 PM, 4 PM and for those who require it even 6:30 PM.  Parents are pleased on many levels.

FRANCESCA ROVANI (current parent): (time code 16:10) "This is the school that I attended as well, so I made a choice with my heart as well. We could have made a choice to go to a school closer to home, but this was a special choice."

REPORTER: "In your experience, what are children left with after they leave these schools?"

PARENT: "Curiosity and the passion of exploring/understanding and facing the world and knowing things."

REPORTER: (time code 16:31) "In Reggio Emilia, 41% of children attend one of the city's infant-toddler centers, while 90% are enrolled in the preschools. We are talking about one of the highest enrolment levels in this age group in the whole of Europe. This is one that requires a fiscal commitment on the part of the municipality of Reggio of over 21 million Euros a year."

LUCA VECCHI (Mayor of Reggio Emilia): "It is a model that has involved the entire community ever since it's inception.  A model that has involved the central role of parents and educators. That is the remarkable aspect of this city, to feel a strong sense of belonging that is built around a set of values and principles in which education, and in particular the education of children, has always been one of our noteworthy capacities."

Sandy Burwell is offering a children's literature and creative expression class on Saturday, January 14. This class is not hosted by the Reggio-Inspired Network of Minnesota. 

To Register - Email Sandy at smburwell@gmail.com. Go to the Facebook page titled Learning Together for more information. 

The class explores the question - "how can we integrate children's literature and creative expression?

Participants will explore the wealth of books that could inspire writing, storytelling, painting, collage, mixed media, photography, imagination, weaving, dance, color mixing, 3-D construction. 

Location:

South Metro Montessori School (located in Family Christ Luthern Church)

10970-185th st. W. Lakeville, MN

9am to noon - $30. 

Q&A with Jen Johnson as told to Eileen Galvin

Jen Johnson is the Director of Willow & Sprout in Saint Anthony Minnesota. Last spring they hosted a Saturday Gathering at their center. During that Gathering, Jen talked about the importance of self-care which resonated with those attending. We followed up with her about the importance of self-care in a teaching practice that requires observation and reflection. We separated the conversation into three posts. This is the first of three. 
 
How do you define self-care for yourself and your teachers?

For me, it is about being mindful and intentional to nurture and love one’s whole self - your mind, your body and your spirit. We, the staff, sit down and create personal goals for each of those areas and it is the same thing that we do with the children. We have leading questions – how do you love yourself? How do you notice yourself – your whole self, your mind, spirit and physical body? And then, how do you nurture yourself? How do you love yourself? We separate those because nurturing can be different than loving. I tried to make it as simple as possible. This could be a new topic for some of us and I didn’t want to make it too complicated. 

 One of the things I think about is how do you rest? How do you replenish? How do you find those quiet spaces in your day so you can replenish and get a break from daily rhythms? 

How do the goals work? Weekly? Yearly?                                           

We have yearly goals and then every month I do a check-in and then if they need something different in between we can talk about it and change it. Up until now the check-ins have been via email because that was what we all wanted. This year we are going to go deeper into the work with a physical check in vs email only. We need to figure out if email needs to be bi-weekly. With email it is easy to let the work go; with a physical check in there is a different level of accountability. It is vulnerable work.

Why is it important for a practice that requires teachers to be present and reflective, to have self-care as a priority?

When I looked at the profession I really saw high turnover. At my first teaching job there was turnover after turnover after turnover. We know from research and best practice that young children need consistency. There are many factors that go into consistency, but one of the things I noticed across the profession was that the teachers are really not looked at as professionals. 
 
They need to be treated with respect as professionals and as a whole person... with hobbies, interests and families outside of work as well. 

We have a huge disparity in how the teachers are valued and seen, not only in their organization, but as a culture. We have some work to do, we need to consider all of the parts that create a caring environment in our early childhood communities. It has to be about holistic living. It has to be about connection. It has to be about the four parts - children, environment, parents and teachers. We need to consider all of those entities. Also, in order to be present and reflective you have to be able to do that for yourself. If you don’t take that time, there is often a huge disparity between what you say you want and desire and what you can actually do. I do like the airplane analogy. Put on your oxygen mask first; then you are stable and you can go and nurture others. Then that becomes the ripple effect and they become as regulated as they can be.

In the next blog post, Jen will give examples of strategies for self-care the teaching team at Willow & Sprout sees as essential.

In another blog post we talked to Kelsey. She is a new teacher grappling with how to balance the desire to plan and live in the now and follow the lead of the children.  

For another interesting perspective on planning, read this piece from veteran preschool teacher, Tom Hobson from Seattle, Washington, on why rigid planning isn't necessarily in the best interest of the children or the teacher.  

He writes, "What I was attempting to guard against back then was a failure of everything running off the rails, but how?  After over a decade of playing with children, I've learned that is exactly the "surprise" that lets me know we've been successful.  It's not the plan I've put together, whether on paper or in my head, but rather the "new possibilities" that emerge from us that makes it all worthwhile."  Read more here:

Blog: Teacher Tom - Teaching and Learning from Preschoolers.                 

The following is a "teaser" of a film by Professor Dr. Sabine Lingenauber. The film explores the role of women in the development of Reggio pedagogy as a pedagogical approach.